pretty much describes world now
All along the railway webs of wire cover cliffs and hold back boulders. We pass through Hood River with all its windsurfers and kiteboarders and white people, and in the observation car everyone sits in plastic chairs and takes turns hating the people on cell phones: “Can you hear me? Now? Can you hear me? Hello?”
The train stops in White Salmon, where no one ever gets on except children boarding without their parents. Smokers abandon their seats for the ten minute break. I join them for air and a better look at the wire net. I’m staring and counting the octagons trapping the mountain when I strike up a conversation with an elderly man who looks like an emaciated Santa Claus, all beard and holly-jolly and knee-slaps. He’s talking about how Oregon used to be, in some lost long ago where people were few and far between and every backyard was an apple orchard and every street was a baseball field and no one ever overdosed on Valium. It sounds like Big Rock Candy Mountain and I don’t believe a word. He says “It’s nice to see you off the train,” and I wonder if he means standing but instead I tell him I’ll be on his porch next Friday, just so he doesn’t miss me. Laugh. Knee slap. Then he spots my tattoo and asks if I’m one of those 2012 weirdos, always fretting about the end of the world. I tell him the world has already ended, and it was all his fault. He laughs again but this one is different (no knee slap) and he looks around and he says excuse me and bums a cigarette from someone else and launches into a conversation about how Oregon used to be, sometime long ago, before conversations of 2012 and the end of the world, and things that are all his fault.
There’s a man reading Blood Meridian while knitting a consistent pearl stitch that would have my grandmother’s envy. He’s got hypnotic fingers, crazy magician’s hands with long digits and a broad palm. Air hands in palmistry. The man works either oblivious to my attention or uninterested in it, and I don’t care so long as he doesn’t pause his looping green weaving. In a second the trance of watching his hands takes me back to my last encounter with a raccoon. She stood on her haunches with her paws in the air, her inflated biped self blocking me from harming her brood of two slow-moving kits waddling their way across the street behind her. I turned my bicycle away from her and took the long way home out of respect for mothers everywhere, and resolved to remember how she lowered her paws when I surrendered without a fight, and how it felt like thanks. As I pedaled away I thought her children would struggle enough, between cars and sealed garbage cans and dogs and traps set in gardens with peanut butter tricks, and men coming in work boots to take their caged bodies some place unfamiliar and lonely. No: they didn’t need to worry about me. Back in the present the man’s progressing scarf or hat or something else drowns me deeper into my own head as I recall a time when my eyes were ringed red. I was finishing my master’s thesis, and I don’t remember eating at all as I rearranged words in sleepy sentences and adjusted margins and running headers and footers and purchased 20 pound paper with a watermark. I wore out my printer, all the while wearing my sleep deprivation mask that mirrored the raccoon’s face, that called her essence into my body. Everything I wrote then was waking dream to make up for what night didn’t have; it was sitting prisoner in a chair made of seven-fingered hands that activated when my eyes got heavy; it was spying trolls crouched in corners with hammers for hands, waiting for the right moment to swallow my cats. Now: I shake my head awake and swallow a mouthful of cold coffee polluted by stray grounds, and the magician-man turns a page and unwinds another ring from the rapidly fading ball of green. Today, this weaver unravels me in an instant.
Sending chapter after chapter to my younger sibling, who has an evil advice giving style that essential amounts to either, “send me another chapter” or “I’m bored.” Since neither is complimentary and one is fist-slam bad, I’m left perpetually chasing the damn dangling carrot. Good call, Rachael. In another month I’ll either be basking in book-done glow or throwing my orange painted body against an empty canvas hoping to map a new career.
Should my mind leak through the computer screen in a poisonous fog, please walk briskly to the nearest eye-rinse station for proper cleansing. If the eye-rinse station proves ineffective, you’re not doing it right. Should the fog appear outdoors, proceed to your nearest window for countless hours of uncomfortable staring. Do not consult your local news station, as you and I both know they have no idea what’s happening. It’s best to consume an MSG-contaminated snack product and continue reading my webpage.