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death | Amanda Sledz

19
Jan 11

Death Posturing

You’re done for. There’s one thing, then another, and there’s nothing after that.

What does that mean? A cleverly concealed pocket-knife could wiggle me away from a railroad tie-down, and suddenly my sour mid-life expiration could alter to paper-skin ancient, eyes pearled and body bent to occupy chairs that wheel and rock. Or maybe future-me belays from broken cells to cyborg, monocle red-laser eyes special-crafted to aggravate cats and melt thicker thoughts from enemies. Half of me bones braced for dusting, the other half sculpted new, locked in with hook and screw.

No: you’re done for friend. Tally your hoe for the waltz-step through endless white curtains before frail begets faint and both retinas blink blank.

Huh. Well, movies suggest quaint segments of life should be summoned from my switchboard for long walk companionship.

- A hair-pinned and pressed grandmother I never had, apron-clad and bespeckled and pulling a tray of cookies from an eye-level oven.

- Running around an endless oak my Midwest backyard didn’t know, not pursued by a bell-bottomed sister screaming and swinging a neon-green plastic bat.

- A chaste slow-dance sponsored by Hallmark, swaying driftwood to puritanical tracks bleating of love as candy-hearts and water-spun roses, embracing someone well-washed I wouldn’t love.

In this canned universe no one is giggling maniacally in a way that inhibits oxygen intake, and never at creatures who audibly sigh and scowl “Come on!” after eighteen agonizing minutes in a pharmacy line.

No. My friend, this isn’t a movie.

Switchboard triggered even still. Images summoned from sun-baked scalp:

- Me tent-locked during green-sky opening, water rushing underneath (vinyl surfing), testing stakes. Outside wind speaks a more threatening tongue and activated ears ask eyes to answer.

- Mambo bullwhip-crackling wet green ground to coax drummers furious as she summons lost Africa from belly slumber for Papa Legba. Oh, Papa Legba.

- Me fay-cozy between two monstrous redwoods, boots pressed to one trunk and back suction-cupping the other, daring tension to inch me upward, or rigid curve me catapult.

- Freshly plucked baby in my thrice-born arms, learning air without water. Me drinking in. Spirit lands unseen.

- Tomato caterpillars caged in Styrofoam egg cartons, round padded feet slow stepping fresh-clipped leaves for rapid gobbling post antennae inspection.

- Wild-haired man burdened by backpack, patterned and pierced, blue current skulking the street after me so I don’t leave – not then, not ever.

- Bodies thick on a fire escape suddenly more dangerous, talking in spirals about events that lightning struck uniform corpses to make us all mad magicians, striping our eyes, dotting our lines. Then many are two and touching.

- Lying on a blanket in the high desert plains, techno-blasted and cowboy-capped, dehydrated mouths calling sounds from lost dimensions where all are copper and exterior-wired.

So you’ve accepted death?

Not for a second. Three times this bell has rung for me, a stale drone from far-away towers eating air for the ankle-grip. Three times you’ve finger beckoned and I’ve snaked away in debt to doctors and water. I could still learn to swim a little bit better, could still highlight heart with a kinder crayon, could still find words to darken white pages (no curtains, no waltz) letter-sparked by anonymous alchemists to leave me better remembered.

Does any of it actually matter?

I can’t hear you. The sky is breaking. My palm boasts six stars.

No one’s read to me in awhile.


16
Sep 10

Two Crows, 2:36AM (1)

2:36AM

Two crows on the fence, waiting.

They tell me: Listen.

I do.

Listen harder.

Am I dreaming?

No.

Perfect.

Listen.

Fine.

Triple-lock the door.

I peak through the blinds. Two crows on the fence. Still waiting.

Caw.

Do humans turn crow as purgatory, trapped observing the living with their kind-of-a-funny-stories and toddlers tied to harnesses and watch-checking clip-cloppers stomping concrete carpets rolled out to welcome rigamortis? Do crows bring death? DEATH, not scare-the-shit-out-of-movie-goers Tarot Death, where the card is played heavy-rings slow and the actress screams her curlers free before bolting from a candle-farm table glittered with moons and stars to meet piano-to-head closed-casket FIN. Not even real Tarot Death, where the hummus is surprise expired, or a cell phone falls into toilet and spares a happy unemployed the salty sulk of job offer.

And, okay this had better not be the Big Done, I’ve only just stitched the golden eagle to my crest, I’ve only now unrolled my scroll beyond the first few lines to reveal the big a-ha. You creepy trash collectors burdening my bins, what are you waiting for? What are you ready for? What do you know?

Caw.

Will their stink of death render me gothy, prisoner of cliché adolescent silken moon POEtry, liquid black eyeliner streaking white-washed sun starved cheeks, costume coffin bookshelf dark magicians Latin names red and gold print jackets internal juke box Death in June black metal Jay-Z? Different just like everybody else, symbol to the air Ra-Ra, subversive just like everybody else (as above, so below) I’m a pirate I’m a fairy I’m a witch I’m a Tim Burton movie I’m a fucking black stain at the picnic. Look how well we all match at the funeral, parasol stars with corsets clamped. Not a spot of dust on the top hat.

They’re waiting for you, Crows, in the graveyard, by the angel statue that sometimes weeps. They’re waiting for both Thought and Memory. Come as a set, come as you are.

CAW.

Well dammit, shit, for God’s sake, can I still read Rumi with your feathers in my face? Do crows fancy dervishes, whirling God intoxicated holy holy on earthbound playgrounds? Do they fancy Freyja flickers like me, twirling hair feet in air, Loki robbed and revenge plotting, deeper in the well for better sword crafting? Do black eyes seek amber mine as you peak through the blinds, do your feathers want my fingers, have your claws pre-drawn portraits? How did you find me? Did Odin send you? Tell me: how did you find me?

Caw.

They follow me and my bike five miles over the river.

Caw.

They sit on the wire while I wait for the bus, listening to an elderly man with a handlebar moustache (I name him Frank as all old men are Frank) tell stories about Belize and Coast-a-Ree-Kah to an Asian man half-listening between iphone glances. Frank sips coffee from an uncovered mug, like he walked out of the kitchen knowing his status as World’s Greatest Dad needed announcing exactly today. Ha ha ha, sip, ha ha ha. Crows?

Caw (Listen, Descendant of Fenrir.)

Frank lowers his cup and a droplet drips from lip, the concrete BOOM drums awake my hidden fur-lined ear.

(Close your eyes.)

Eyes closed (hear first, look later, it would be too much). Ghosts, nursery rhymes trapped in sidewalk cracks, spirits hobgoblining life from the nearly-living, prism locked reflections two dimensioned in humid air, at once alert to open. Yes. I can hear you.

Holy wow how’s it going she can hear did you notice she could too rah loo skippity skip skip hey she never loved me get me out of hello hi are you still listening ha ha hooray good to –

Caw.

This is not the stuff of bus stops. I should be nude for this amniotic slip and slide, this running up the rabbit hole. Bus arrives  my eyes dart to wire, amber to black, black to amber.

We will follow you. Twenty pairs of two, each two speaking as one. Caw.

At the top of the hill we’ll be waiting. Whisper when you ask of crows. Remember to whisper.

“Ladies first,” Frank gestures to the bus door. World’s Greatest Dad.

Whisper when you ask of crows. We’ll be waiting. Whisper.

Caw.